Red Desert |
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Il Deserto rosso 1964 - Italy Director Michelangelo Antonioni Starring |
Tomorrow, perhaps, I will do my usual thing. Right now, I’m a wreck, and I want to capture that as nearly as possible… Few films (this is perhaps in a class with Marienbad, Zerkalo, and no more) have engaged me on this level: head swimming, completely drained (this is not an emotional intelligence to which I am accustomed to relating…) This is how I viewed Red Desert. Screencapping compelling images began immediately, and 20 minutes in I began taking these notes, which are nonsense… This is a bit much, yet not nearly enough. Anyway:
Final, irrevocable dissociation of self.
She poses questions in non sequiturs.
Wilderness vs. technology/objects.
Ambient noise: steamboat whistle vs. waves.
Others believe in work, conscience, vice: definite ideas.
“It’s never still, never, never, never…”
“I can’t look at the sea for long and not lose interest in what happened on land.”
“My eyes are wet — I think — what should I use my eyes for? What should I look at?” Uncertainty; multiple interpretations of an event.
(fog, construction)
Compassion is not possible. Linda cries, not for Giuliana’s suffering, but her own terror.
Dissociation of self. “The girl in the hospital.”
“Who was singing?”
Utter betrayal. Senseless acts.
“What do you mean whose?… The name?”
“How do you know what things you need? Will the things, the people, be the same when you return?”
“You don’t love me, do you?”
“Why do I always need people?”
“I’d like all the people who ever loved me here, like a wall…”
“We all suffer from it. We all need help.”
This isn’t understanding. It’s isolation.
Escape — any place in this world to chart a life?
Judgmental, isolating gaze. “Help me, please.”
Hell yes this is of a piece with the ‘trilogy.’ Eros is fucking sick.
“There’s something horrible about reality and I don’t know what. No one tells me.”
Words fail utterly.
“I can’t decide. I’m not a single woman. But at times — I feel — separated…”
“I have to think that all that happens to me is my life. That’s it!”
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[...] 1982 Identification of a Woman 1975 The Passenger 1970 Zabriskie Point 1966 Blowup 1964 Red Desert 1962 L’Eclisse 1961 La Notte 1960 L’Avventura 1957 Il Grido 1855 Le Amiche 1950 Story of a Love Affair [...]
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