100 Favorite Films

Posted 16 December 2006 in

» My list always leans heavily toward recent viewings, as well as of course old favorites that continue to stay with me strongly. I am more interested in what I love now than what I have loved. So I am never hesitant to rank something that blew me away highly immediately. As a general rule, films in the top 50 or so (new or old) are likely to stick around; films in the bottom 50 may cycle off more quickly.

» Artificial limit: maximum three films per director. Most of my favorite directors by rights deserve four or five places, but those extra films can easily be gleaned from my top directors list. I have also attempted to construct the list with an eye to representing all decades and regions, but not to the extent of including films that are not actually as beloved as the rest. Broad swaths of film are noted barely or not at all.

» There are many other films I rate a 10/10 for undeniable brilliance but don’t place in my list. These one hundred films mean the most to me [at this moment]. This is very definitely a list of my favorites, and not the greatest (although I would argue for the merits of each).

R: Reviews | S: Screencaps


Bringing Up Baby

1938, Howard Hawks

S

“I can’t give you anything but love, baby.”


Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles

1976, Chantal Akerman

R


Last Year at Marienbad

1961, Alain Resnais

“They could as well be you and I. Or anyone.”


The Bitter Tears of Petra Von Kant

1972, Rainer Werner Fassbinder

“My daughter loves a girl. How strange. A girl! My daughter.”


La Notte

1961, Michelangelo Antonioni

S

“I haven’t a thought now, but I’m expecting one.”


Minnie & Moskowitz

1971, John Cassavetes

“I think about you so much I forget to go to the bathroom!”


Manhattan

1979, Woody Allen

S

“Not everybody gets corrupted.”


Céline & Julie vont en bateau

1974, Jacques Rivette

R

“What is pretty does no harm.”


The Awful Truth

1937, Leo McCarey

S

“Maybe things could be the same again… Only a little different, huh?”


Red Desert

1964, Michelangelo Antonioni

R | S

“I can’t look at the sea for long and not lose interest in what happened on land.”


The Umbrellas of Cherbourg

1964, Jacques Demy

“Why is absence so heavy to bear?”


Cries and Whispers

1972, Ingmar Bergman

“Come what may, this is happiness. I cannot wish for anything better.”


Trouble in Paradise

1932, Ernst Lubitsch

R | S

“Do you remember the man who walked into the Bank of Constantinople, and walked out with the Bank of Constantinople?”


Three Colors: Red

1994, Krzystof Kieslowski

R | S

“That’s all: be.”


The Green Ray

1986, Eric Rohmer

“I’m not very operational in life.”


Who’s Afraid of Virginia Woolf?

1966, Mike Nichols

“I am the Earth Mother and you are all flops!”


Jules & Jim

1962, Francois Truffaut

R | S

“We played with life and lost.”


Providence

1977, Alain Resnais

R | S

“I’m not a person; I’m a fucking construction. Was. Yours.”


Gertrud

1964, Carl Th Dreyer

“I believe in the pleasures of the flesh and the irreparable loneliness of the soul.”


Queen Christina

1933, Rouben Mamoulian

S

“I shall die a bachelor!”


Women on the Verge of a Nervous Breakdown

1988, Pedro Almodovar

R | S

“Ivan loves the way I mix it.”


Vivre sa vie: Film en douze tableaux

1962, Jean-Luc Godard

S

“Words should express just what one wants to say.”


Kings & Queen

2004, Arnaud Desplechin

R | S

“Enough of all that. Don’t you ever wear strange things sometimes?”


Code Unknown

2000, Michael Haneke

R | S


L’Avventura

1960, Michelangelo Antonioni

“Tell me you love me.”


Opening Night

1977, John Cassavetes

“I’ll do just about anything to make my character more authentic.”


Holiday

1938, George Cukor

“”


I Fidanzati

1963, Ermanno Olmi

“”


Yi Yi (a one and a two…)

2000, Edward Yang

“”


Daisies

1966, Vera Chytilova

“”


Interiors

1978, Woody Allen

“”


A Man & a Woman

1966, Claude Lelouch

“”


Le Notti di Cabiria

1957, Federico Fellini

“”


The Philadelphia Story

1940, George Cukor

“”


The Lion in Winter

1968, Anthony Harvey

“”


Another Woman

1988, Woody Allen

“”


Madame de…

1953, Max Ophuls

“”


McCabe & Mrs Miller

1971, Robert Altman

“”


Muriel ou Le temps d’un retour

1963, Alain Resnais

“”


Johnny Guitar

1954, Nicholas Ray

“”


Martha

1974, Rainer Werner Fassbinder

“”


Loulou

1980, Maurice Pialat

“”


Law of Desire

1987, Pedro Almodovar

“”


My Nights Are More Beautiful Than Your Days

1989, Andrzej Zulawski

“”


Love Streams

1984, John Cassavetes

“”


Nashville

1975, Robert Altman

“”


The Young Girls of Rochefort

1967, Jacques Demy

“”


Zerkalo

1975, Andrei Tarkovsky

“”


The Apartment

1960, Billy Wilder

“”


Dead Again

1991, Kenneth Branagh

“”


Angst vor der Angst

1975, Rainer Werner Fassbinder

“”


All About My Mother

1999, Pedro Almodovar

“”


Abigail’s Party

1977, Mike Leigh

“”


Contempt

1963, Jean-Luc Godard

“”


Love Me Tonight

1932, Rouben Mamoulian

“”


India Song

1975, Marguerite Duras

“”


L’Important c’est d’aimer

1975, Andrzej Zulawski

“”


Love Affair

1939, Leo McCarey

“”


Little Man, What Now?

1934, Frank Borzage

“”


Masculin féminin: 15 faits précis

1966, Jean-Luc Godard

“”


One Hour with You

1932, Ernst Lubitsch

“”


La Pianiste

2001, Michael Haneke

“”


The Royal Tenenbaums

2001, Wes Anderson

“”


The Smiling Madame Beudet

1923, Germaine Dulac

“”


A Sunday in the Country

1984, Bertrand Tavernier

“”


Duelle (une quarantine)

1976, Jacques Rivette

“”


Pépé le Moko

1937, Julien Duvivier

“”


Bad Timing

1980, Nicolas Roeg

“”


À nos amours

1983, Maurice Pialat

“”


All About Eve

1950, Joseph L Mankiewicz

“”


Cleo from 5 to 7

1962, Agnes Varda

“”


Cluny Brown

1946, Ernst Lubitsch

“”



1963, Federico Fellini

“”


The Thin Man

1934, WS Van Dyke

“”


Scenes From a Marriage

1973, Ingmar Bergman

“”


History is Made at Night

1937, Frank Borzage

“”


The Lady Eve

1941, Preston Sturges

“”


25 Firemans St

1973, Istvan Szabo

“”


My Night at Maud’s

1969, Eric Rohmer

“”


Les Bas-fonds

1936, Jean Renoir

“”


The Hypothesis of the Stolen Painting

1979, Raoul Ruiz

“”


The Double Life of Véronique

1991, Krzystof Kieslowski

“”


The Conformist

1970, Bernardo Bertollucci

“”


Sabrina

1954, Billy Wilder

“”


L’Imortelle

1963, Alain Robbe-Grillet

“”


The Last Metro

1980, Francois Truffaut

“”


The Mother and the Whore

1973, Jean Eustache

“”


The Red Shoes

1948, Powell & Pressburger

“”


Orlando

1992, Sally Potter

“”


My Man Godfrey

1936, Gregory La Cava

“”


La Rupture

1970, Claude Chabrol

“”


Unfaithfully Yours

1948, Preston Sturges

“”


The Cook, the Thief, His Wife & Her Lover

1989, Peter Greenaway

“”


Coup de torchon

1981, Bertrand Tavernier

“”


Reds

1981, Warren Beatty

“”


The Gay Divorcee

1934, Mark Sandrich

“”


Baby Face

1933, Alfred E Green

“”


Darling

1965, John Schlesinger

“”


Diary of a Chambermaid

1964, Luis Bunuel

“”


A Guy Named Joe

1943, Victor Fleming

“”

OLD TOP LISTS

Whether I go through several drafts or give up having a list altogether in the meantime, I am going to try to collect my top 100 twice every year for comparison.

January 2008
July 2007
January 2007
July 2006
January 2006
July 2005
January 2005
July 2004

 

4 Comments »

  1. There needs to be a review link for every single one of these, as well as connections and links and a whole bunch of cool stuff. If you are going to list your favorites, at least make it interactive. :x

    Comment by Mango — 19 April 2008 @ 19 April 2008

  2. Ooo, there’s some good ideas…

    Comment by Lauren — 21 April 2008 @ 21 April 2008

  3. Yes, it’s a lovely list, but I kept thinking the same thing. If I could just come to this page and have each of your reviews but a click away, it would just be wonderful.

    Comment by (the) Bob Dylan — 27 April 2008 @ 27 April 2008

  4. Awesome ideas, y’all. Hope you enjoy the new look (probably expand it more bit by bit)

    Comment by Lauren — 2 May 2008 @ 2 May 2008

RSS feed for comments on this post. TrackBack URI

Leave a comment

Line and paragraph breaks automatic, e-mail address never displayed, HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

(required)

(required)


navigation
About TLC
Films: All reviewed | Favorites
Actors: Profiles | Favorites
Directors: Profiles | Favorites
All films by year
2008 Viewing log


Screening Log
The Woman Accused 1933, Paul Sloane
So Big! 1932, William A Wellman
The Awful Truth 1937, Leo McCarey
Conquest 1937, Clarence Brown
It’s Love I’m After 1937, Archie Mayo
The Mad Miss Manton 1938, Leigh Jason
Algiers 1938, John Cromwell
The Gay Divorcee 1934, Mark Sandrich
All This, & Heaven Too 1940, Anatole Litvak
Mannequin 1937, Frank Borzage

Blog

A short digression on Charles Boyer…

Yes, I am endeared. I am, in fact, ensorceled. His inhumanly arched eyebrows, his little winks and half-smiles, and that ability to at once maintain full control of his material while shining the spotlight on his costar: yes, that is talent; yes, this is love. And no, Cluny Brown, it’s not just the cocktails giving you that persian cat feeling… I think we both know too well it has a bit to do with Mr Charles Boyer. Rawr.


A month of...

Pre-Code Hollywood

» The Woman Accused 1933 Paul Sloane
» So Big! 1932 William A Wellman
» Pre-Code Icons Gallery #1: Barbara Stanwyck
» A Month of Pre-Code Hollywood

Previous months
30s Cinema
Maestresses
The Lubitsch Race

Five Favorites

In-transit romances

Nothing better suited to Hollywood romance than three weeks out of time, away from life, falling in love with a stranger, spending days idly and nights actively.


links
Allure
Awards Daily
Bright Lights Film Journal
Cinemaniacal
Cinema Talk
Classic Cinema Online
Collective Contemplations on Cinema
Critical Culture
Criticker
Fataculture
Film Comment
Film Int
Greenbriar Picture Shows
House of Mirth & Movies
If Charlie Parker Was a Gunslinger...
Jump Cut
Mango Grove
Not Coming to a Theater Near You
The Pagan Agenda
Pop Matters
Rants & Musings
Reverse Shot
Self-Styled Siren
Senses of Cinema
Sight & Sound
TCM schedule
They Shoot Pictures, Don't They?
Through a Blog Darkly

Netflix
Three on a Match / Female Waterloo Bridge / Red-Headed Woman Dancing Lady The Most Dangerous Game Applause The Divorcee / A Free Soul Street Angel Born to Be Bad 

Friend me